Showing posts with label writer's block. Show all posts
Showing posts with label writer's block. Show all posts

Tuesday, October 29, 2013

You don't have time for a muse


 We writers are an eccentric lot.  We love our quirks and idiosyncrasies.


Civilians – “non-writers” – find us mysterious and we love that.  There are few things with greater cache than mystery.

Mystery allows us to create a sacred space that is untouchable.  Our loved ones respect it, even tiptoe around it. 

If we have incense and chimes, or white noise and blinders, it simply adds to our inscrutability.  The only other room in the house with such an invisible force field around it might be the bathroom.

The downside of all the enigma is that we abuse it.

Admit it.  It’s all too easy to close the door, dim the lights, pull up a blank document and stare.  For a little while.

Some of us have been known to open multiple screens.  One blank document, one Words with Friends, a YouTube and Wikipedia.  We can rationalize all of these as mind-freeing, meditative research.

We are masters at minimizing when prying eyes come near…What?!!  I’m writing!

Well that just won’t do.

Pablo Picasso said, “Inspiration exists, but it has to find us working.”

So set aside your alter ego, perfectionism, and get to work. 

Set a goal for the amount of time you’ll write every day.  Make it manageable.  Small is good.  Small does not intimidate.

Bring in the kitchen timer, set it and WRITE.

And write BEFORE you do ANYTHING else.  Really.

Chances are good that when the timer goes off, you’ll have a bit more in you and not want to stop.  But even if you do stop, you can stop with a measure of satisfaction.  You accomplished something extremely important. 


You wrote today.

Wednesday, November 28, 2012

Please! Climb down from there and WRITE!


If you're a writer, there's no question about it. 

The true question, perhaps too often asked, is not, "Am I a writer?" but "Why don't I write?" 

Only a writer asks that question!  If you're asking it, you're a writer. 

But, but, but, you say.  How can I claim to be a writer when I'm stalled?  I haven’t written anything in (fill in the blank – days, months, eons).  

Cue the shrieking from Psycho! 

I'm non-productive!  Wait for it – the "B" word of the writer's world - I'm BLOCKED! 

Well, no.  You're not.  And here's how you can tell:  Write something. 

OK.  It's dross.  It's dregs.  It’s…what's a nicer word for 'crap'?  

The nicer word is 'words.'  How about 'brainstorming'?  Or '1st draft'?  That crap is words on the page.  It’s a start.   

If you're above writing the crap first, you have strayed onto that fork in the dark, forested landscape of a writer's mind that leads to the cul-de-sac of mental turmoil, frustration, dismay, self-loathing and cliche`. 

But you wouldn't be there if you weren't a writer. 

And, if you weren't a writer, not writing wouldn't bother you.   

So turn around and go toward the light.  You’ll feel so much better. 

Get off it Dream Writers, and WRITE!

Tuesday, May 1, 2012

Cut Those Adverbs!

A sure fire method for punching up your prose is to eliminate adverbs.

You do know an adverb when it insinuates itself into your sentence, don't you?  Let's have an example or two:

Which is better:
  • The sun burned hot on Lothor's chest.
  • The sun burned very hot on Lothor's chest.
I'm curious about Lothor and where he left his shirt, but a very hot sun is not hotter nor more evocative. 

Look at these two:
  • Evelyn's flippancy made her mother anxious.
  • Evelyn's flippancy made her mother extremely anxious.
The risk is that if a writer permits an adverb to speak, she will let it suffice.  Better to show mom's anxiety than tell us its degree.  What does an anxious mother do?

Which creates a clearer image?
  • Timmy tiptoed nervously through the hallway.
  • Timmy tiptoed through the hallway, holding his breath, eyes wide.
You get the idea.  Proceed without fear.  Cut those adverbs!  And Write Dream Writers!  Write!

Do you have examples of narratives you've beefed up this way?  Share them!





Thursday, April 12, 2012

Formalize Your Brain's Storm

If you're looking for ideas and decide to brainstorm, do it right.

There's a wrong way to brainstorm?  Well, no, probably not.  But too often we give brainstorming short shrift. 

We do a mental brainstorm and call it done.  Maybe it yields fertile ground for that article, or your next chapter.  Maybe not.

To get the full benefit of your brainstorm, write it down.  It's not a bad idea to write it on the screen on that blank document that's been staring you down. 

Go ahead.  Start writing.  Hit "enter" after every idea.  Let Word remind you these aren't complete sentences.  Just do it.

In a true brainstorm, no idea is rejected.  Write every one of them, the stupid ones, the unrelated ones, the ones you'll never use. 

Recently, while trying to get started on an article about the new Google goggles, I tried to imagine what they might display right in front of your eyes while you walked around.  Here's the list I brainstormed:

weather reports
traffice reports
text ban (huh? what's that have to do with data display?)
google ban (ditto)
political updates
movie trailers
Avengers
text zombie
Google zombie (I made that up!)
yellow pages
Yelp
Craig's list
Angie's list
Wikipedia
security cams

I loved the idea of the texting zombie I'd seen in a public service announcement about the danger of texting and driving.  "Google zombie" just sounded funny.  I wanted to go there.

I used only a couple of the items from the brainstorm, but I'm certain the act of writing them all helped get my fingers flying.  I was on my way with 700 words for my weekly column in the local newspaper.  Check it out at www.thinkdreamplay.blogspot.com

How does brainstorming work for you?  Let me know ~ and Write, Dream Writers!

Sunday, April 8, 2012

Read Your Own Stuff

Along with "quit before you get ahead" (our last post) the next logical step to keeping in motion is to read your own stuff.

If you feel stuck for any reason, take a step back to the top of the chapter, the beginning of the current scenario, or the start of the thought you're pursuing.  Read through for a sense of momentum. Sometimes that's all it will take to carry you on to the next sentence.

In working on Free Bird, a memoir about my brother, I stalled out after writing what I thought was a pretty good lead up to an experience he had with a tornado.  Here's an excerpt:

The sky blackened and rain crashed into the scene, flying hard and fast, parallel to the ground, assaulting the strip center.  Then the plate glass window forming the storefront of Glenn’s Coney Island began to bow in toward the transfixed young men.  It bulged, concave, as the vacuum formed by the colliding fronts pushed outside in, toward implosion.  A rumbling, now a roar, overtook all other sound.  Glenn and Harold dropped below the countertop. 

Before they could speak, silence rushed in and sat heavy and ominous around them.  They raised their heads and peered across the room.  Black and still, eerie anticipation held them motionless.  Then Glenn spoke. 

“Let’s get out of here.” 

“Don’t wait for me,” Harold agreed.

 Glenn fished in his jeans pocket for the keys to his van as he hustled across the dining area and to the door like Chester with his prosthetic leg.  Harold flipped a series of electric switches and loped toward the door behind him.  When they crossed the threshold, Glenn slammed the door, threw the deadbolt, and they made for their cars.  Harold headed toward West Tulsa.  Glenn would have to go east northeast.

 He buzzed north to 71st Street in his hollow, white ’72  Ford Econoline van before turning east ahead of the storm.  When he crossed Lewis Avenue, he looked to his left in time to see a funnel drop from the clouds and begin skipping along the ground, keeping pace.  A long, thin funnel bending into an s-curve, its tip hopped back and forth like an enormous mechanized sewing needle zigzagging across the neighborhood, choosing this house, then that one, to demolish in a brutal blitz.  Lumber and rooftops and trees burst into the air in a surreal symphony of destruction.  Boom!  Boom!  Boom!  Power poles splintered in dreadful rhythm.  Electric transformers exploded, flashing in brilliant accompaniment. 

Glenn pulled his head down and shoulders up, gritting his teeth and clenching the steering wheel; he jammed the gas pedal to the floor, the van whined, and he found himself ahead of the front.   

Oral Roberts University, to Glenn’s right, lay quiet at that rise just between inhaling and exhaling.  Its huge geometric panes of iridescent glass reflected the murky grays and muddy greens of the squall.  At that moment, in the rearview mirror, Glenn could see the cyclone traverse the thoroughfare, smash those mirrors into thousands of shards, and twist their frames into grotesque new sculptures, before rising again into the firmament.

Glenn zipped along to Sheridan before turning north toward his little house on Florence Avenue. Blood flowed again through his shoulders and hands. He checked his rearview mirror time and again until he felt certain the twister would not pursue him home.

That was it.  A pretty good action scene, so I thought.  But oddly, it left me frozen in place.  I stared at that last sentence for a couple of days, fingers resting on the keyboard, motionless.  Maybe because the storm passed and he survived, I sat immobile.

Then I went back and read it from the top.  Doing so carried me forward to a next step.  My brother was still in the car after all.  And my focus needed to shift from the violent tornado to another violent episode in his life.  Here's how I changed direction:

The storm seemed to have made a decision.  It lifted its sucking feet releasing its hold on Tulsa.  It slipped eastward, rumbling, tossing threats back over its shoulder with lightning flashing on its underside.  The afternoon sun lit its trailing edge with magic glowing gold.  As if pulling a giant tarp west to east overhead, the storm clouds left clear blue sky in their wake.  People emerged from their basements and turned their faces upward, smiling at God, filling theirs lung with electrostatically cleansed air.

Safe for the moment at least, Glenn’s mind turned to the storm that lay ahead.  Karen.

Now we know exactly where to go, right? 

If your narrative is advancing the storyline, you'll find the rising action and the call for transition at the fall.  Reading your own stuff from the top can give you the momentum.

Read your own stuff, and Write, Dream Writers, Write!