Wednesday, November 28, 2012

Please! Climb down from there and WRITE!


If you're a writer, there's no question about it. 

The true question, perhaps too often asked, is not, "Am I a writer?" but "Why don't I write?" 

Only a writer asks that question!  If you're asking it, you're a writer. 

But, but, but, you say.  How can I claim to be a writer when I'm stalled?  I haven’t written anything in (fill in the blank – days, months, eons).  

Cue the shrieking from Psycho! 

I'm non-productive!  Wait for it – the "B" word of the writer's world - I'm BLOCKED! 

Well, no.  You're not.  And here's how you can tell:  Write something. 

OK.  It's dross.  It's dregs.  It’s…what's a nicer word for 'crap'?  

The nicer word is 'words.'  How about 'brainstorming'?  Or '1st draft'?  That crap is words on the page.  It’s a start.   

If you're above writing the crap first, you have strayed onto that fork in the dark, forested landscape of a writer's mind that leads to the cul-de-sac of mental turmoil, frustration, dismay, self-loathing and cliche`. 

But you wouldn't be there if you weren't a writer. 

And, if you weren't a writer, not writing wouldn't bother you.   

So turn around and go toward the light.  You’ll feel so much better. 

Get off it Dream Writers, and WRITE!

Saturday, September 22, 2012

Don't Clutter Your Writing with Too Many Words!

Here is my poem.  It is twenty lines.  If I'd had more time, it could have been ten.

~Maya Angelou (I think!)

I originally wrote:  "I attribute this quote to Maya Angelou, though I am unable to confirm that these are her words."

Which attribution is better? 

~Short and pithy almost always wins!

That last sentence first arrived on the page thusly:  "Nevertheless, for a writer of poetry or prose, the advice this quote contains is among the most sound we will find."

~ Powerful writing uses few words to say profound things. 

That sentence started out like this:  "Good writers use the fewest words possible to say the most profound things."

While the edited 'powerful writing' version may not win any prizes, it's better, stronger, yes - more powerful than its first iteration.

So the moral of the story is cut to core.  Say what you mean with the sharpest word choice. 

Get it?  Got it?  Good!

And write, Dream Writers!

~ Who's your favorite clean, clear, impactful author?  I'd love to hear from you!



Tuesday, July 24, 2012

Stand Up to Passive Voice!

To be, or not to be?  Easy!  Not to be!

I know. It brings back junior high school English.  Conjugation! Yikes.

Grit your teeth!  Here's your refresher:

'To Be' ~ the ultimate in passivity!  Bolded here in an ironic twist:

I am
you are
he, she, or it is
we are
you (plural) are
they are

Just get rid of those milk-toasty, shoulder shrugging passive forms!  Save no quarter for was and were, either!

To wit ~
     Beth Ann was hungry and looked in the fridge.
Vs.
     Famished, Beth Ann searched the shelves of the fridge.

Or ~
     Henry and Joe are mad.  They are ready to fight.
Vs.
     Fighting mad, Joe and Henry stood toe-to-toe.

And, not to get too personal ~

                                   Grandpa’s feet are stinky. 
     Vs.
                                   Grandpa’s feet stink.

While we cannot extinguish the nefarious 'state of being' verb, we can shrink its status to that of a pesky flea in line for extermination.

Kill it before it kills your writing!

Make it 'Sweep #1' when you polish your work.  Scan and rewrite to cast off the passive and weave in the active.

And Write, Dream Writers!  Write!

Wednesday, June 6, 2012

Make the Last Best


OK, which is better?


My boyfriend dumped me.

            Or

I’d been dumped. 


Granted, it’s better to be the dumper than the dump-ee.  But this isn’t advice for the lovelorn.  We’re talking about writing sentences here!  We can’t accept just any sentence that springs to our fingertips.  We need sentences that do more than convey facts.  Our sentences must evoke images and emotions.   

We want memorable sentences.  Or, better said ~ our sentences must be memorable.


Look at these two: 

I want to take that blurt back.

            Vs.

I want to take back that blurt. 

Blurt is such a good word, isn’t it?  It just sounds funny.  It reveals our speaker’s personality, and her uncomfortable circumstance.  When it’s the last word in the sentence, it stays in your reader’s mind.  Put the best word at the end of your sentence! 

One more:  

She interviewed the president last month.

Or

Last month, she interviewed the president.


It’s subtle, I’ll admit.  But placing the most interesting word at the end of the sentence makes it a stronger sentence.   

Another way to achieve this strengthening effect is to lop off a prepositional phrase: 

Because of her all things were possible for us.

            Vs.

Because of her all things were possible.


I challenge you to sweep through your work sentence by sentence; and whenever you can, make the last word best! 

And Write, Dream Writers!

Tuesday, May 1, 2012

Cut Those Adverbs!

A sure fire method for punching up your prose is to eliminate adverbs.

You do know an adverb when it insinuates itself into your sentence, don't you?  Let's have an example or two:

Which is better:
  • The sun burned hot on Lothor's chest.
  • The sun burned very hot on Lothor's chest.
I'm curious about Lothor and where he left his shirt, but a very hot sun is not hotter nor more evocative. 

Look at these two:
  • Evelyn's flippancy made her mother anxious.
  • Evelyn's flippancy made her mother extremely anxious.
The risk is that if a writer permits an adverb to speak, she will let it suffice.  Better to show mom's anxiety than tell us its degree.  What does an anxious mother do?

Which creates a clearer image?
  • Timmy tiptoed nervously through the hallway.
  • Timmy tiptoed through the hallway, holding his breath, eyes wide.
You get the idea.  Proceed without fear.  Cut those adverbs!  And Write Dream Writers!  Write!

Do you have examples of narratives you've beefed up this way?  Share them!





Thursday, April 12, 2012

Formalize Your Brain's Storm

If you're looking for ideas and decide to brainstorm, do it right.

There's a wrong way to brainstorm?  Well, no, probably not.  But too often we give brainstorming short shrift. 

We do a mental brainstorm and call it done.  Maybe it yields fertile ground for that article, or your next chapter.  Maybe not.

To get the full benefit of your brainstorm, write it down.  It's not a bad idea to write it on the screen on that blank document that's been staring you down. 

Go ahead.  Start writing.  Hit "enter" after every idea.  Let Word remind you these aren't complete sentences.  Just do it.

In a true brainstorm, no idea is rejected.  Write every one of them, the stupid ones, the unrelated ones, the ones you'll never use. 

Recently, while trying to get started on an article about the new Google goggles, I tried to imagine what they might display right in front of your eyes while you walked around.  Here's the list I brainstormed:

weather reports
traffice reports
text ban (huh? what's that have to do with data display?)
google ban (ditto)
political updates
movie trailers
Avengers
text zombie
Google zombie (I made that up!)
yellow pages
Yelp
Craig's list
Angie's list
Wikipedia
security cams

I loved the idea of the texting zombie I'd seen in a public service announcement about the danger of texting and driving.  "Google zombie" just sounded funny.  I wanted to go there.

I used only a couple of the items from the brainstorm, but I'm certain the act of writing them all helped get my fingers flying.  I was on my way with 700 words for my weekly column in the local newspaper.  Check it out at www.thinkdreamplay.blogspot.com

How does brainstorming work for you?  Let me know ~ and Write, Dream Writers!

Sunday, April 8, 2012

Read Your Own Stuff

Along with "quit before you get ahead" (our last post) the next logical step to keeping in motion is to read your own stuff.

If you feel stuck for any reason, take a step back to the top of the chapter, the beginning of the current scenario, or the start of the thought you're pursuing.  Read through for a sense of momentum. Sometimes that's all it will take to carry you on to the next sentence.

In working on Free Bird, a memoir about my brother, I stalled out after writing what I thought was a pretty good lead up to an experience he had with a tornado.  Here's an excerpt:

The sky blackened and rain crashed into the scene, flying hard and fast, parallel to the ground, assaulting the strip center.  Then the plate glass window forming the storefront of Glenn’s Coney Island began to bow in toward the transfixed young men.  It bulged, concave, as the vacuum formed by the colliding fronts pushed outside in, toward implosion.  A rumbling, now a roar, overtook all other sound.  Glenn and Harold dropped below the countertop. 

Before they could speak, silence rushed in and sat heavy and ominous around them.  They raised their heads and peered across the room.  Black and still, eerie anticipation held them motionless.  Then Glenn spoke. 

“Let’s get out of here.” 

“Don’t wait for me,” Harold agreed.

 Glenn fished in his jeans pocket for the keys to his van as he hustled across the dining area and to the door like Chester with his prosthetic leg.  Harold flipped a series of electric switches and loped toward the door behind him.  When they crossed the threshold, Glenn slammed the door, threw the deadbolt, and they made for their cars.  Harold headed toward West Tulsa.  Glenn would have to go east northeast.

 He buzzed north to 71st Street in his hollow, white ’72  Ford Econoline van before turning east ahead of the storm.  When he crossed Lewis Avenue, he looked to his left in time to see a funnel drop from the clouds and begin skipping along the ground, keeping pace.  A long, thin funnel bending into an s-curve, its tip hopped back and forth like an enormous mechanized sewing needle zigzagging across the neighborhood, choosing this house, then that one, to demolish in a brutal blitz.  Lumber and rooftops and trees burst into the air in a surreal symphony of destruction.  Boom!  Boom!  Boom!  Power poles splintered in dreadful rhythm.  Electric transformers exploded, flashing in brilliant accompaniment. 

Glenn pulled his head down and shoulders up, gritting his teeth and clenching the steering wheel; he jammed the gas pedal to the floor, the van whined, and he found himself ahead of the front.   

Oral Roberts University, to Glenn’s right, lay quiet at that rise just between inhaling and exhaling.  Its huge geometric panes of iridescent glass reflected the murky grays and muddy greens of the squall.  At that moment, in the rearview mirror, Glenn could see the cyclone traverse the thoroughfare, smash those mirrors into thousands of shards, and twist their frames into grotesque new sculptures, before rising again into the firmament.

Glenn zipped along to Sheridan before turning north toward his little house on Florence Avenue. Blood flowed again through his shoulders and hands. He checked his rearview mirror time and again until he felt certain the twister would not pursue him home.

That was it.  A pretty good action scene, so I thought.  But oddly, it left me frozen in place.  I stared at that last sentence for a couple of days, fingers resting on the keyboard, motionless.  Maybe because the storm passed and he survived, I sat immobile.

Then I went back and read it from the top.  Doing so carried me forward to a next step.  My brother was still in the car after all.  And my focus needed to shift from the violent tornado to another violent episode in his life.  Here's how I changed direction:

The storm seemed to have made a decision.  It lifted its sucking feet releasing its hold on Tulsa.  It slipped eastward, rumbling, tossing threats back over its shoulder with lightning flashing on its underside.  The afternoon sun lit its trailing edge with magic glowing gold.  As if pulling a giant tarp west to east overhead, the storm clouds left clear blue sky in their wake.  People emerged from their basements and turned their faces upward, smiling at God, filling theirs lung with electrostatically cleansed air.

Safe for the moment at least, Glenn’s mind turned to the storm that lay ahead.  Karen.

Now we know exactly where to go, right? 

If your narrative is advancing the storyline, you'll find the rising action and the call for transition at the fall.  Reading your own stuff from the top can give you the momentum.

Read your own stuff, and Write, Dream Writers, Write!


Saturday, March 10, 2012

Quit Before You Get Ahead

Have you ever stopped writing when you were on a roll?

No!  Of course not!  Those are the best times, right?  When you're in the groove...well, keep groovin'.  Stay there.  Ride it out.  That's probably what most of us do, and there are many reasons why we do it.

We don't find that groove every day, for one thing.  More often, we're slogging it out.  Pushing.  Searching for the details or the next corner to turn.  After having trouble getting started for the day, you sure don't want to lose momentum.

But there is a school of writing thought that suggests you deliberately stop, even mid-sentence, just a bit sooner than you normally would.

I first heard about this strategy when reading Ernest Hemingway back in the day.  He learned to leave himself hanging on the precipice, especially after working in a rhythm.  He said that way, he always knew he had something to come back to. 

Stopping on the verge built motivation.  Instead of stewing or stressing about what to write next, he couldn't wait to get back the next day and carry out the incomplete thought he'd left behind.

Pack that into your toolbag of block breakers, and Write, Dream Writers!  Write!



Sunday, March 4, 2012

"Writer's Block?!"

"Writer's block."  I put it in quotes because for me the term doesn't deserve much respect, and neither should it for you.
Nevertheless, I do stall out sometimes.  It happened recently.  I just wrote right up to the edge of a cliff.  I teetered over the edge and swayed back.  No where to go in spite of the fact that what I had on the page so far seemed pretty good ~ if I do say so.

I was working on a scene for the memoir I'm writing about my remarkable brother, Glenn.  It rocked along at a good clip, as he opened a business, made wads of cash, and ran from a tornado.  Then this:

The storm seemed to have made a decision.  It lifted its sucking feet and releasing its hold on Tulsa, it slipped eastward, rumbling, tossing threats back over its shoulder with lightning flashing on its underside. 
The afternoon sun lit its trailing edge with magic glowing gold.  As if  pulling giant tarp west to east overhead, the storm clouds left clear blue sky in their wake.  People emerged from their basements and turned their faces upward, smiling at God, filling theirs lung with electrostatically cleansed air. 

Safe for the moment at least, Glenn’s mind turned to the storm that lay ahead.  Karen.

My plan from there was to write about Karen, his wife, as background for the stunning finale to that era of his life.  Then I just turned to stone. 
No need to describe the sensation in too much detail because writers know it intimately and superstition suggests writing about it could bring it on!
Here I urge you to adopt a bull-headed attitude and refuse to surrender.  Instead, try pulling one or more of these "thumbs" out of the dyke:
  • Look at and write about a related picture.  I have a picture of Glenn and Karen's wedding in the hippie days on a friend's front lawn.  But old yearbooks pics or snapshots can trigger a memory that will get you into the language and emotion you need.
  • Take a nap.  Take a walk.  Take a break.  Play loud music and sing along.  Step onto the porch and breathe real air.  Talk to your cat.  Just be sure to set a timer and don't stay gone too long! 
  • When you return to the keyboard, start writing with one of the senses.  What did it smell like in the room where your scene will take place?   
  • Read your stuff out loud, from the top.  This can create momentum.  Keep going.
Most important of all ~ Never Give Up!  Never Surrender!

Because if you give in to "writer's block," you'll wind up with "that book" you always meant to write.

Keep writing, Dream Writers!











Saturday, March 3, 2012

Applause Group or Writer's Group?

Ever been in an applause group?  You know what I mean ~  a group of folks who love everything you write.  You read; they applaud.

Let's not underestimate the value of such a group.  God knows we need encouragement.  If your grandma's not around to tell you how great you are, it can be tough pressing on page after page in that silent vacuum of self-doubt with inertia peering in.

If you're writing for that only, for the atta boy's and the feel good, there's nothing better than predictable applause.

But if you aspire to a wider audience, you no doubt hear another faint but persistant call...for the kind of feedback that not only encourages you to keep writing, but also offers insights into what you've got on the page.

If you find you're in an applause group and yearning for more, of course you can go in search of another group.  But you might also consider some gentle prods for the group who already loves you. 

Here is a starter for eliciting deeper conversations about your writing:

Before you read, give your group a task that will help you.  
  • Ask the group to listen for something specific, for example, action verbs versus passive verbs. 
  • Ask them to notice if your writing demonstrates emotion instead of telling the reader how to feel. (show v. tell)
  • Ask them to point out anything vague or leaving an unanswered question.
In short, ask your group for what you need ~ real feedback! 

You may be surprised how quickly their comments move up a notch, especially if you show your appreciation for their efforts and respond in kind.  It's also helpful to read the same passage at your next meeting, showing them how their input helped improve your work.

Onward and upward Dream Writers!